Showing posts with label Quickstep. Show all posts
Showing posts with label Quickstep. Show all posts

Friday, August 22, 2014

Corner vs. Side of Room Figures


Rules for syllabus Standard are probably the most cut-and-dry of any style.  (Not that I’m saying that they are always perfectly clear!)  American Style encompasses many different syllabi, and the Latin syllabus includes suggested alignments, amounts of turn, etc., but the Standard syllabus is very specific about what alignments, amounts of turn, and timings are allowed.  Furthermore, because of the progressive nature of Standard dancing, figures are designated as for use around a corner, along the side of the room, or both.

Many figures can be used both around/approaching corners and along the side of the room, though often figures change slightly in order to accommodate the differences.  Sometimes figures start out as a corner or side figure and only add the other option at a higher level.  (For example: a Whisk in Waltz, which can be ended DC only starting at Silver.  This is because there no figures are available to follow with at Bronze if the Whisk is ended DC.) 

Short of memorizing the entire Technique book, how can we keep straight which figures accomplish which goals?  Here is a short guideline that should help:

  1. Chasse figures (including locks) generally don’t go around corners, which is due to the linearity of this type of figure.  An exception to this rule is the Tipple Chasse to R in Quickstep, which can be used around a corner in a variety of interesting ways.  It is worth noting that the way in which the Tipple Chasse takes the corner is by cutting across it, not dancing into and out of it.
   
  1. Because chasse figures cannot, for the most part, go around corners, the often-used introductory Quickstep routine of dancing Quarter Turn to R/Progressive Chasse all the way around the floor is technically illegal.  Invigilation on a low level couple dancing this type of routine is unlikely – what would be the point?  However, it is important for couples to learn a cornering figure, like a Natural Spin Turn, as soon as they are able.[1]

  1. Tango, especially at Bronze, is the most permissive Standard dance with respect to corners and sides.  Most figures can be modified for different areas of the floor, and inserting two Walks can clear up almost any alignment issues.  However, Progressive Links may not be over-rotated for getting around a corner, nor may Reverse Turns, Lady Outside or in Line. 

  1. There is only one figure in the entire Standard syllabus that can only be danced in a corner.  Silver Foxtrot’s Hover Cross has no alternative versions.  You may not change its alignment or amount of turn, and therefore it can only get you into and out of a corner.

  1. There is also only one figure that can go around two corners: Running Right Turn in Silver Quickstep.  Running Right Turn may be danced along the side of the room, around two corners, around one corner using the early section of the figure, OR around a corner using the later section of the figure.  

As a sidenote: Since American Style Smooth relies on restrictions rather than a set syllabus, it is easy to assume that alignments matter less than they do in Standard.  While it’s true that no rule provides basis for invigilating, say, a Chasse from PP around a corner, it is in a couple’s best interest to observe Standard conventions about alignments in Smooth dancing as well. 



[1] As another example, beginner Foxtrot often involves using Feather Step/Three Step to get around the floor.  This is also illegal, though not because of corner issues.  Technically a Three Step is only allowed as a Follow to a Feather Step, not a Precede.  As with Quickstep, it is important to learn another figure (like a Natural Turn) as soon as possible in order to both legalize the routine and show a higher caliber of dancing.   

Wednesday, November 27, 2013

Quickstep Locks


One of the most common Quickstep infractions is dancing multiple sets of locks forward or backward.  Many people dance two (or more) sets of locks in a row because 1. Locks flow naturally into each other and 2. Multiple locks in a row send a couple flying down the floor, which is an attractive prospect especially for lower level dancers who do not yet have access to other figures that accomplish the same goal.  Furthermore, lock steps define syllabus Quickstep – a full third of the Quickstep syllabus involves locking actions – so more are better, right?   

On Back Locks, the book is very clear.  Precede for all levels: Progressive Chasse to Right.  Follows: Closed Impetus, Tipple Chasse to Right, Running Finish, with Tipsy to Right added at Gold.   Specific figures are spelled out in a way that clearly indicates a Back Lock may not Precede or Follow itself.[1]

As an additional note on Back Locks, we have the Natural Turn and Back Lock.  Though this figure gets its own chart form due to alignment differences and slight alterations in foot positions, a Natural Turn and Back Lock is basically just a Back Lock with a different entrance.  Therefore, I would classify 1-3 of a Natural Turn as a second Precede for a Back Lock along with the Progressive Chasse to Right.  (Follows for Natural Turn and Back Lock are identical to the Follows for the figure called Back Lock.) 

Forward Locks are not addressed so clearly.  Precedes are, “Any figure ending with the Right Foot forward Outside Partner.”  Follows are, “Any Natural figure” in Bronze, and a number of more specific figures in Silver and Gold.  What do we do with this?  If we go by the Precedes, Forward Locks should be okay to dance twice since they end RF forward OP.  If we go by the Follows, double locks would not be allowed, as a Forward Lock does not meet the definition of “natural figure” because it doesn’t turn to the right.

Discussions of specific technique book language are fascinating (to some of us!) and valuable.  However, in practical terms, the ambiguity of the book’s wording on Forward Locks doesn’t translate into much gray area for Invigilators.  Most Invigilators would likely call up couples dancing multiple sets of locks, so it’s best to avoid the problem entirely by dancing only one lock at a time. 






[1] By Back Lock, I mean the specific figure called Back Lock.  A V6 incorporates a type of backwards lock, but is not what I’m discussing here.  That being said, you may not throw an extra backwards locking action into a V6 either.